Pierce Erez-Henderson
is an educator, urbanist, and artist. The goal of his practice is two-part: first, to understand and explain learning and knowing; and second, to examine and contribute to infrastructures—at different social, spatial, and organizational scales—that beget learning and knowing. His work thus spans a wide range of physical, digital, sonic, textual, and computational projects that engage audiences across communities and disciplines. Pierce holds master’s degrees from the London School of Economics and the Harvard Graduate School of Education and a Bachelor of Fine Arts from the Maryland Institute College of Art. He resides in Lausanne, Switzerland.

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Steward (2017)
Sculpture as a place for an image to rest.

An image of images of another image. Referencing the language and history of the painting tradition, 2253 Instagram posts calcify Martha Stewart in inkjet on a 48in x 36in roll of gessoed canvas — a second, poor¹, yet just as real image emerges from the deluge. 

¹ See Hito Steyerl’s In Defense of the Poor Image